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The Making of a Public Spectacle

Photo credit: David Gallagher via photopin cc

Photo credit: David Gallagher via photopin cc

 

‘Art is a lie that makes us realize truth’ (Pablo Picasso, 1923)

For me, when I break it down, I think writing is a meta thing.

I write, I am slowly beginning to realize, to figure out why I write. Not to re-present a life, but to seek to expose Life. The search for some kind of Platonic essence that transcends existence by its very existence-ness. A sort of philosophizing from first principals without the requisite guise of academic convention.

Maybe creating all art is like this. I dunno. All I know is writing and architecture. What you might consider the “slow-burn” arts. Where the practice of the visual arts (drawing, painting, sculpture) or music (singing or playing a instrument) is concerned, on the other hand,— those forms of artistic expression with substantially more inherent immediacy — I draw a blank. Nada. I’ve a huge appreciation, certainly. But insight or ability? Not so much.

And that gets me into trouble sometimes — ‘cause I get jealous.  Jealous because the painter or singer can make an instant, visceral connection with an audience in a way a writer — at least a writer of anything longer than a haiku or short poem — simply cannot. Plus, once they reach a minimal level of competence in their field (not always an easy thing, I grant you that at least), they can generate and be out there flogging their latest still life or love song in little or not time at all. As competent as I become, however, it takes me a long time to write and publish that novel. And if it doesn’t quite take off, well, that’s years of my life I can’t get back.

In just under two weeks from now my writing group is undertaking a public reading of some of our work at a local library. I was instrumental in backing the group into this particular corner because early in the new year I kept on at them about how frustrated I was that yet another local artist was having a lovely showing of their watercolours or oils in the library foyer. Or I had been to a benefit concert where the singers and musicians had those in attendance tapping their feet, clapping their hands, and hooting with appreciation. Meanwhile, all we did was meet sheepishly once a month and read passages of our latest work to one another. But damn it, I challenged (pleaded?), we were artists as well! Weren’t we? (The answer, of course, was “yes,” but, as our intrepid facilitator Tom pointed out, apparently some of us “artists” needed a little more external validation than others!)

God only knows how the evening is going to turn out. We’ve put posters up, and are trying to get the word out with PSA’s and news releases, but, in my mind’s eye, I can already see the assembly in front of me as I stand at the lectern about to get underway. The first row comprised of a handful of spouses and / or significant others (who, by now, have probably heard the material enough times to be thoroughly bored with it already) and a few really close friends who feel obliged to attend though, if truth be told, they’d probably be having more fun at home watching the Stanley Cup playoffs with a cold beer in hand. Then, behind them, a veritable sea of empty seats. Empty until you come to the last row that is. The last row is packed — populated entirely by a gaggle of hobos and rubbies, whose “Free Admission” has gained them unimpeded access to the “Light Refreshments” advertised in our promotional material.

I wish I had some clever McLuhan-esque interpretation of how this should go down. Or, at least, some explanation of why we’re not going to pull in the same droves of people we would if we were, say, an amateur jazz quartet instead of just four writers. Something about how the medium relates to the message. Because as engaging as the various snippets of our stories might turn out be, ultimately we’ll be nothing more than talking heads. Nobody’s going to be stomping their feet or singing along with abandon.

Maybe these reading things only work when the author is already well known and the event is more about simply being in the same room with such an accomplished wordsmith than it is about listening to what he or she has to read. Maybe, until you’ve already made a mark of some sort, you should simply be satisfied if every now and then someone curls up alone in a corner somewhere and dives into something you’ve written. Maybe, in the final analysis, that remains the best way for writers to communicate with their “audience” — not with them sitting in front of you, but, instead, with them in that place where they truly have the time and freedom to embrace the work, to sit and think with the author’s mind.

The disconnect I suppose I’m stumbling over here is that writers aren’t typically performers in the same way as, well, performers, are. (Traditional storytellers might be, but that’s a different blog altogether). If you’ve got a half-way decent voice and can play your own guitar accompaniment, hell, you can busk on the street — singing somebody else’s songs — and people will typically throw at least some coinage in your direction. I wonder how much money I’d make standing there reading somebody else’s book out loud? Ironically, it’d probably be about the same amount I’d make standing there reading my own work — zilch!

Okay, the pity party’s almost over. As convoluted as my ravings have become at this point, I think what I’m trying to say — with a tip of the hat to Tolstoy — is that though the creative process seems strangely similar from individual to individual, different types of artistic endeavours are difficult in different ways. I think one of the reasons writing is so hard is because people think it’s so easy. Most folks would admit freely that they can’t paint, or sculpt, or play the oboe or piano, but I imagine many of them think they could write something, in one form or another, if called upon to do so. They can speak after all, and writing’s just an extension of that, right? This has the tendency, as you might imagine, of de-valuing the writer’s currency. Of placing our work in the realm of the potentially “do-able” for most folks, rather than the realm of truly inspired creativity like, say, writing a pop song!

For me writing’s hard. Like pulling a full-grown elephant out of my butt hard. Then again, maybe I’m just a poor writer.

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8 Comments

  1. Penny says:

    Well now if I wasn’t going to be in Vegas, you know I would be front and centre. I am sure it will be an enjoyable evening. You will have to fill me in when I return.

  2. bronxboy55 says:

    Light Refreshments? My poster doesn’t say anything about Light. Isn’t Tom making pizza?

  3. […] well as a copy of the flyer I designed for the event (dropped into my creative writing file — see The Making of a Public Spectacle over at the The Gooseyard for a complete run down of all the pre-event literary angst), yet […]

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